Heroic Tale of Holocaust, With a Twist

July 11, 2013 5:50 pm 0 comments Views: 318

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ARIS — The stories of the Holocaust have been documented, distorted, clarified and filtered through memory. Yet new stories keep coming, occasionally altering the grand, incomplete mosaic of Holocaust history.

The film’s director, Ismaël Ferroukhi.

One of them, dramatized in a French film released here last week, focuses on an unlikely savior of Jews during the Nazi occupation of France: the rector of a Paris mosque.

Muslims, it seems, rescued Jews from the Nazis.

“Les Hommes Libres” (“Free Men”) is a tale of courage not found in French textbooks. According to the story, Si Kaddour Benghabrit, the founder and rector of the Grand Mosque of Paris, provided refuge and certificates of Muslim identity to a small number of Jews to allow them to evade arrest and deportation.

It was simpler than it sounds. In the early 1940s France was home to a large population of North Africans, including thousands of Sephardic Jews. The Jews spoke Arabic and shared many of the same traditions and everyday habits as the Arabs. Neither Muslims nor Jews ate pork. Both Muslim and Jewish men were circumcised. Muslim and Jewish names were often similar.

The mosque, a tiled, walled fortress the size of a city block on the Left Bank, served as a place to pray, certainly, but also as an oasis of calm where visitors were fed and clothed and could bathe, and where they could talk freely and rest in the garden.

It was possible for a Jew to pass.

“This film is an event,” said Benjamin Stora, France’s pre-eminent historian on North Africa and a consultant on the film. “Much has been written about Muslim collaboration with the Nazis. But it has not been widely known that Muslims helped Jews. There are still stories to be told, to be written.”

The film, directed by Ismaël Ferroukhi, is described as fiction inspired by real events and built around the stories of two real-life figures (along with a made-up black marketeer). The veteran French actor Michael Lonsdale plays Benghabrit, an Algerian-born religious leader and a clever political maneuverer who gave tours of the mosque to German officers and their wives even as he apparently used it to help Jews.

Mahmoud Shalaby, a Palestinian actor living in Israel, plays Salim — originally Simon — Hilali, who was Paris’s most popular Arabic-language singer, a Jew who survived the Holocaust by posing as a Muslim. (To make the assumed identity credible, Benghabrit had the name of Hilali’s grandfather engraved on a tombstone in the Muslim cemetery in the Paris suburb of Bobigny, according to French obituaries about the singer. In one tense scene in the film a German soldier intent on proving that Hilali is a Jew, takes him to the cemetery to identify it.)

The historical record remains incomplete, because documentation is sketchy. Help was provided to Jews on an ad hoc basis and was not part of any organized movement by the mosque. The number of Jews who benefited is not known. The most graphic account, never corroborated, was given by Albert Assouline, a North African Jew who escaped from a German prison camp. He claimed that more than 1,700 resistance fighters — including Jews but also a lesser number of Muslims and Christians — found refuge in the mosque’s underground caverns, and that the rector provided many Jews with certificates of Muslim identity.

In his 2006 book, “Among the Righteous,” Robert Satloff, director of the Washington Institute for Near East Policy, uncovered stories of Arabs who saved Jews during the Holocaust, and included a chapter on the Grand Mosque. Dalil Boubakeur, the current rector, confirmed to him that some Jews — up to 100 perhaps — were given Muslim identity papers by the mosque, without specifying a number. Mr. Boubakeur said individual Muslims brought Jews they knew to the mosque for help, and the chief imam, not Benghabrit, was the man responsible.

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